1
6
77
-
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c940663c9891ca02bc2484877719cc24
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8792229292526a961f2802c05f22eec3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Woodblock Prints
Description
An account of the resource
The core of the Japanese woodblock collection began under the direction of the Head of the Art Department, Kermit Ewing, in 1946. Japanese prints were also collected by the department after Ewing's death in 1976, were purchased from the Charles I and Blanche Barber Fine Arts Fund, and works were also donated by Hugh W. Sanford Jr.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kabuki Actors (two parts of a triptych)
Creator
An entity primarily responsible for making the resource
Utagawa Kunisada
Japanese, 1786 - 1864
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1847
Subject
The topic of the resource
The actors are in a scene titled "Domiyoji No Ba", taken from
the Kabuki play "Sugawara Denju Tenarai Kagami", by Takeda
Izumo, Miyoshi Shoraku, and Namiki Senryu. As performed at
Ichimura-za in 07-1850.
All three actors included in full triptych are; Arashi Kichisaburo
III as Hangandai Terukuni, Sawamura Chojuro V as Kakuju
Ama, and Ichimura Uzaemon XII as Kanshojo Michizane.
Format
The file format, physical medium, or dimensions of the resource
woodblock print
Type
The nature or genre of the resource
print
Description
An account of the resource
Kunisada began his apprenticeship around 1800 under the master Toyokuni (1769 - 1825) and became one of his chief pupils. the Utagawa school specialized in actor prints. Kunisada is also known as Toyokuni III. During his life, he has had a few pseudonyms, such as Ichiyusai or Gototei. In 1807 he published his first book of illustrations, and the following year, his first book of actor prints. During his lifetime, it has been estimated that he had produced more than 20,000 prints.
Source
A related resource from which the described resource is derived
Gift of Dr. Karen Hughes in Honor of Dorothy Naylor Woodbury
Publisher
An entity responsible for making the resource available
Minatoya Kohei
Japanese Art
print
woodblock print
-
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873c24d709859ad6b9877db81f2f3b6e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Woodblock Prints
Description
An account of the resource
The core of the Japanese woodblock collection began under the direction of the Head of the Art Department, Kermit Ewing, in 1946. Japanese prints were also collected by the department after Ewing's death in 1976, were purchased from the Charles I and Blanche Barber Fine Arts Fund, and works were also donated by Hugh W. Sanford Jr.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Kumogakure 雲隠 (Hidden by Clouds)
From the series: Genji kumo shui 源氏雲拾遺 (Gleanings from the Cloudy Chapters of the Tale of Genji)
Creator
An entity primarily responsible for making the resource
Utagawa Kuniyoshi
Edo, Japan (1797 - 1861)
Format
The file format, physical medium, or dimensions of the resource
color woodblock print
24.5 x 35.5 centimeters
Description
An account of the resource
The kabuki actor Ichikawa Danjuro VIII in red makeup as Matsugae Sekinosuke holding a knife in front of a lakeside samurai pavilion. Poem inscribed above.
Date
A point or period of time associated with an event in the lifecycle of the resource
1845-1846
Type
The nature or genre of the resource
print
Publisher
An entity responsible for making the resource available
Iseya Ichibei
Japanese Art
print
woodblock print
-
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fe6f712dcd4522d6e45eb5a0e8b8a100
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Woodblock Prints
Description
An account of the resource
The core of the Japanese woodblock collection began under the direction of the Head of the Art Department, Kermit Ewing, in 1946. Japanese prints were also collected by the department after Ewing's death in 1976, were purchased from the Charles I and Blanche Barber Fine Arts Fund, and works were also donated by Hugh W. Sanford Jr.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The fifth panel of a six panel composition, Furyu Mitate Rokkasen
Creator
An entity primarily responsible for making the resource
Utagawa Kunisada
Japanese, 1786 - 1864
Format
The file format, physical medium, or dimensions of the resource
woodblock print
22.8 x 35.2 centimeters
Description
An account of the resource
A six-panel composition, each of which depicts an actor and a flower. The name rokkasen (containing the Chinese character for 'Flower') points to the "Six Best waka Poets" of the 9th century (= 'rokkasen'; the word contains the Chinese character for 'Song/Poem'). They are regarded as the geniuses of Japanese poetry and often were popular subject of mitate (= comparison, parody). The characters used here, however, allow another reading: a selection of six flowers.
Publisher
An entity responsible for making the resource available
Jokin (1830 - 1858)
Type
The nature or genre of the resource
print
Date
A point or period of time associated with an event in the lifecycle of the resource
1858
Japanese Art
print
woodblock print
-
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5dc4ee68d3cb4da4de47b626e1e1326a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Woodblock Prints
Description
An account of the resource
The core of the Japanese woodblock collection began under the direction of the Head of the Art Department, Kermit Ewing, in 1946. Japanese prints were also collected by the department after Ewing's death in 1976, were purchased from the Charles I and Blanche Barber Fine Arts Fund, and works were also donated by Hugh W. Sanford Jr.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Pair of Quails and Poppies
Creator
An entity primarily responsible for making the resource
Utagawa Hiroshige
Japanese, 1797 - 1858
Date
A point or period of time associated with an event in the lifecycle of the resource
ca. 1835
Subject
The topic of the resource
In poetry, barley quails (mugi-uzura) are traditionally associated with late spring, and poppies (keshi) in bloom with mid-summer, so a dream in autumn about this avian species is a hope for a warmer, less grim season of life.
Aki no yume
mite ya nakidasu
mugiuzura
In an autumn dream,
the barley quails
begin to chirp.
—Trans. John T. Carpenter
Format
The file format, physical medium, or dimensions of the resource
woodblock print
Type
The nature or genre of the resource
print
Source
A related resource from which the described resource is derived
Gift of Dr. Karen Hughes in Honor of Dorothy Naylor Woodbury
Japanese Art
print
woodblock print
-
https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/b495fe8ca12223f382452408b5959a00.tif?Expires=1712793600&Signature=Tb3MeF-Cw5YvyJ6rjNgAbc43YbJqyV9vwzAgenqNPqzzqC7Mry8r%7EN18XCiGjcCqzOxwicYYoCIn%7EJomtrtB1FopeMq48DE1YyNcYJUDG24sXWq7f2M8oeHeCluI5t2opB1v-E6Mh8EuicviVE1XqbsjJdOCm%7EAaHNwYMPyvrGCp4Ys7O2u3hAnqb273W1Tvk1zu0u6a8QQKQOqhecMDRvDz7XjyBXVO-BMKLzfGxdsIJ2Z2p4plmtWR7RowBoe9S5p%7EKJnQA5A4wlrYt6EO5kMrN4%7E8fJ93kMSN62UxoDGO8UYFU2tlK-rs%7Ey05CWyBmH0Z8J0TqJfdwQvaKPgXRQ__&Key-Pair-Id=K6UGZS9ZTDSZM
cb671fc3749bc0dc972a526f4c0afe20
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Woodblock Prints
Description
An account of the resource
The core of the Japanese woodblock collection began under the direction of the Head of the Art Department, Kermit Ewing, in 1946. Japanese prints were also collected by the department after Ewing's death in 1976, were purchased from the Charles I and Blanche Barber Fine Arts Fund, and works were also donated by Hugh W. Sanford Jr.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
color woodblock print
Physical Dimensions
The actual physical size of the original image
25.4 x 37 centimeters
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Accomplishments (Tashinami 嗜みき) from the Money Trees for Virtuous Women (Fukutoku kane no naru ki 婦久得金の成木) series
Creator
An entity primarily responsible for making the resource
Utagawa Hiroshige
Edo, Japan 1797 - 1858
Format
The file format, physical medium, or dimensions of the resource
color woodblock print
25.4 x 37 centimeters
Description
An account of the resource
Hiroshige is known as the "artist of rain, snow, and mist." Born as Ando Tokutaro, he was to follow the career of his father as a fire watchman. In 1811, he was a pupil of Toyohiro. in 1812, he officially became accepted into the Utagawa school. Through this, he took his post as a fire watchiman until 1823 when he passed it on to his son. He began his career producing actor prints. At age 31 when his master died, he turned to landscape prints. Hiroshige's work was an ideal image of what he saw in his mind. What he did was to adapt and alter the landscape details and also the seasons to suit the moods he envisioned.
Date
A point or period of time associated with an event in the lifecycle of the resource
1846 - 1847
Japanese Art
woodblock print
-
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d4ad767fc207dd39ef198c70657805e7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Woodblock Prints
Description
An account of the resource
The core of the Japanese woodblock collection began under the direction of the Head of the Art Department, Kermit Ewing, in 1946. Japanese prints were also collected by the department after Ewing's death in 1976, were purchased from the Charles I and Blanche Barber Fine Arts Fund, and works were also donated by Hugh W. Sanford Jr.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Aido Shrine
Creator
An entity primarily responsible for making the resource
Ando Hiroshige
Edo, Japan (1797 - 1858)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1850
Format
The file format, physical medium, or dimensions of the resource
color woodblock print
Description
An account of the resource
Hiroshige is known as the “artist of rain, snow, and mist”. Born as Ando Tokutaro, he was to follow the career of his father as a fire watchman. In 1811, he was a pupil of Toyohiro. In 1812, he officially became accepted into the Utagawa School. Through this, he took his post as a fire watchman until 1823 when he passed it on to his son. He began his career producing actor prints. At age 31 when his master died, he turned to landscape prints. Hiroshige’s work was an ideal image of what he saw in his mind. What he did was to adapt and alter the landscape details and also the seasons to suit the moods he envisioned.
Japanese Art
print
woodblock print