2
6
29
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82248ee7c04e53147a02d1ec8831d14b
Dublin Core
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Title
A name given to the resource
Civil War Series
Creator
An entity primarily responsible for making the resource
Richard LeFevre
Description
An account of the resource
Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music.
Source
A related resource from which the described resource is derived
Bequest of the artist
Dublin Core
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Title
A name given to the resource
Chickamauga
Creator
An entity primarily responsible for making the resource
Richard J. LeFevre (1931 - 2000)
Date
A point or period of time associated with an event in the lifecycle of the resource
1991
Format
The file format, physical medium, or dimensions of the resource
watercolor and mixed media on paper
Description
An account of the resource
In the Western Theater of the war, Union Maj. Gen. William Rosecrans had outflanked and outmaneuvered General Braxton Bragg’s Confederate Army of Tennessee and taken the city of Chattanooga without firing a single shot. As the forces each moved south past Chattanooga into Georgia, the two armies collided on September 19-20, 1863, near Chickamauga Creek from which the Battle of Chickamauga gets its name. Rosecrans made a fatal error when he believed one of his flanks was exposed and pulled an entire regiment from the center of his line to that flank. Arriving with his troops in time to aid Bragg’s Confederate Army of Tennessee, Lt. Gen. James Longstreet exploited Rosecrans’ mistake by charging through the center of his line, effectively breaking the entire Union Army in half. Maj. Gen. George Henry Thomas (shown on the left) earned his nickname “The Rock of Chickamauga” as he held off the Confederate army on Snodgrass Hill near the Snodgrass family’s log cabin (shown in the center portion) long enough for the Union forces to escape back to Chattanooga. The extreme right shows Maj. Gen. Gordon Granger who brought two brigades to Thomas’s aid and lost 44 percent of his troops during the battle. The center of this piece includes an illustrated page of Thomas's diary in which he defends his actions.
Source
A related resource from which the described resource is derived
Bequest of the Artist
Civil War
mixed media
Richard LeFevre
UT Faculty
-
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6751d9623baaed5c2673182f49054e96
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Civil War Series
Creator
An entity primarily responsible for making the resource
Richard LeFevre
Description
An account of the resource
Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music.
Source
A related resource from which the described resource is derived
Bequest of the artist
Dublin Core
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Title
A name given to the resource
Cold Harbor
Creator
An entity primarily responsible for making the resource
Richard J. LeFevre (1931 - 2000)
Date
A point or period of time associated with an event in the lifecycle of the resource
1991
Format
The file format, physical medium, or dimensions of the resource
watercolor and mixed media on paper
Description
An account of the resource
With the most significant fighting on June 3, the Battle of Cold Harbor, was fought southeast of Richmond from May 31 to June 12, 1864, during General Ulysses S. Grant’s Overland Campaign. This engagement contained the bloodiest 15 minutes of the Civil War with 7,000 soldiers falling during that time period. Grant (shown as the painting’s central figure) said afterwards that he regretted the last bloody assault was ever made. This was a noteworthy win for General Robert E. Lee who had 59,000 soldiers facing 108,000 federal troops, yet suffered half the Union casualties.
Source
A related resource from which the described resource is derived
Bequest of the Artist
Civil War
mixed media
Richard LeFevre
UT Faculty
-
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69549851afe3de94f6687737936b7608
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Civil War Series
Creator
An entity primarily responsible for making the resource
Richard LeFevre
Description
An account of the resource
Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music.
Source
A related resource from which the described resource is derived
Bequest of the artist
Dublin Core
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Title
A name given to the resource
Fort Donelson
Creator
An entity primarily responsible for making the resource
Richard J. LeFevre (1931 - 2000)
Date
A point or period of time associated with an event in the lifecycle of the resource
1994
Format
The file format, physical medium, or dimensions of the resource
watercolor and mixed media on paper
Description
An account of the resource
The first major success for the Union during the Civil War was in the Western Theater of Tennessee when Fort Henry fell on February 6, 1862. After securing the fort, Brig. Gen. Ulysses S. Grant marched his troops to Fort Donelson. It had been a balmy day, and the men did what troops often do and threw away their overcoats and blankets. During the night of February 13, the temperatures fell below zero, and Grant’s army nearly froze to death. The battle lasted two days, February 14-15, 1862. Three Confederate brigadier generals were engaged at Donelson: (shown on the lower left of the painting, left to right) John B. Floyd, Gideon J. Pillow, and Simon B. Buckner. After making gains in the field that pushed Grant’s forces back, Generals Floyd and Pillow inexplicably did not push their advantage and soon decided all was lost. Since they outranked Buckner and feared Northern reprisals, the two generals decided to flee and left him to handle the surrender. Buckner hoped he would get decent terms from General Grant who was he friend before the war (and would be after), but Grant famously offered, “No terms accept unconditional and immediate surrender,” which is how the general got his nickname “Unconditional Surrender” Grant. Buckner sent a message back saying; “The distribution of the forces under my command . . . and the overwhelming force under your command, compel me to accept the ungenerous and unchivalrous terms you propose.” This battle secured the Cumberland River for the Union and placed most of strategically located Tennessee under its control.
Source
A related resource from which the described resource is derived
Bequest of the Artist
Civil War
mixed media
Richard LeFevre
UT Faculty
-
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7c79c9eea261c2a078454b0b7d677ab9
Dublin Core
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Title
A name given to the resource
Civil War Series
Creator
An entity primarily responsible for making the resource
Richard LeFevre
Description
An account of the resource
Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music.
Source
A related resource from which the described resource is derived
Bequest of the artist
Dublin Core
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Title
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Fort Sumpter
Creator
An entity primarily responsible for making the resource
Richard J. LeFevre (1931 - 2000)
Format
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watercolor and mixed media on paper
Description
An account of the resource
LeFevre has used the misspelling “Fort Sumpter” which was found in many 19th Century references including an April 1851 article published by the New York Times.
On April 12-14, 1861, the first shots of what would become the Civil War were fired at Fort Sumter located in the Charleston Harbor across from Charleston, South Carolina. When newly commissioned Confederate Brigadier General P.G.T. Beauregard (shown on the lower right side of the painting) opened fire at 3:30 a.m., the fort was garrisoned under the command of U.S. Major Robert Anderson (shown on the left of the painting). The two stars shown in the lower portion of the painting represent the stars of the Bonnie Blue Flag, the state flag of South Carolina. The red line along the bottom is simply a shock device I often use in my paintings.
Source
A related resource from which the described resource is derived
Bequest of the Artist
Civil War
mixed media
Richard LeFevre
UT Faculty
-
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ce350a36664c960b85695fbb0ccd7c2f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Civil War Series
Creator
An entity primarily responsible for making the resource
Richard LeFevre
Description
An account of the resource
Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music.
Source
A related resource from which the described resource is derived
Bequest of the artist
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fort Wagner
Creator
An entity primarily responsible for making the resource
Richard J. LeFevre (1931 - 2000)
Date
A point or period of time associated with an event in the lifecycle of the resource
1992
Format
The file format, physical medium, or dimensions of the resource
watercolor and mixed media on paper
Description
An account of the resource
On July 18, 1863, the Second Battle of Fort Wagner was engaged at Morris Island, south of Charleston Harbor, South Carolina. At that time, a serious question persisted in the minds of the people of the North whether black troops would indeed fight against the South if given the opportunity. It took until 1863 before the Union formed the first black regiments. The 54th Massachusetts, one of the earliest black regiments to be given combat duty, had to charge across a narrow stretch of land and head toward Fort Wagner in the open with no protection. This was a desperate type of fighting that proved that black soldiers would indeed fight and fight bravely. In the center of the painting is the Congressional Medal of Honor as it looked at that time.
Source
A related resource from which the described resource is derived
Bequest of the Artist
Civil War
mixed media
Richard LeFevre
UT Faculty
-
https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/b1d6fdf8251344e95ce16d924998a58f.tif?Expires=1712793600&Signature=b3cX9%7EGT4exaGS%7EfPTVPYsl5uq-vEKLsSUzf5Ts1oI4oKu73x7icr1ykkeFkXXWpWnu2j6I2X4wR7blg0EKBUwbWyWrq2D2OOo%7EdGRPsavt7%7E8WmJ3uNUiUHEkTXykCvPaCxj9hYJgObLbz6O3EjQ3JVJpQhplpCAixtJdvslULJYInAt4VzN9s--cwjhah0Y4ko%7E4N0u-Cp6zGc6BibbKfWlkToM3zHHql94hIP%7EyH1kTAY7WCEvHre8DMpM37mOaSxCZMd602r6M6l%7EzMszW3Idpi5Y3e8xklFFWc224%7EH5WCdFSibpixqtpFdincDIiJ9Hhl5mEhRIXR7X%7EPM7g__&Key-Pair-Id=K6UGZS9ZTDSZM
e09f44fc48ff4aa674bfd8173735ffa2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Civil War Series
Creator
An entity primarily responsible for making the resource
Richard LeFevre
Description
An account of the resource
Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music.
Source
A related resource from which the described resource is derived
Bequest of the artist
Dublin Core
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Title
A name given to the resource
Franklin
Creator
An entity primarily responsible for making the resource
Richard J. LeFevre (1931 - 2000)
Format
The file format, physical medium, or dimensions of the resource
watercolor and mixed media on paper
Description
An account of the resource
After the fall of Atlanta, General John Bell Hood, who had been defending the city, decided to take his 30,000-strong Army of Tennessee and make a concentrated effort to recapture Tennessee, thus disrupting General William Tecumseh Sherman’s supply lines. As he moved toward the capital of Nashville, he was confronted by the Union Army of the Ohio under the command of Maj. Gen. John M. Schofield on November 30, 1864. Shown as the large figure in the center the painting, General Hood ordered attack after attack after attack. Killed in the battle were six Confederate generals (shown in photographs across the middle of the illustration, left to right): John C. Carter, Hiram B. Granbury, John Adams “States Rights” Gist, and Otho F. Strahl, as well as one of the most beloved Confederate generals, Maj. Gen. Patrick Cleburne, shown on the extreme right.
Source
A related resource from which the described resource is derived
Bequest of the Artist
Civil War
mixed media
Richard LeFevre
Tennessee
UT Faculty
War