1 6 1369 https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/cc383591f52417d75dff2643781b3456.jpg?Expires=1779926400&Signature=AHg8EWnABj3E8ZEkTTXrHuXWEKnIitf7oY%7EsFz2CElqke8yn7oeze%7EE2eGjQ%7EdB-HBF9YyOpmPctfGlc4omayxccXzmcLSs-FB%7E8-nmaEYU4J8EaMTsLVTBT%7EOFzY0ZxEgQEiMdpyy%7EcbwdrJjf-0ZL268XfCZp0QMyl1bemRWQ%7EHe2cjc3LAKXNQEyur%7EXFfRc2GIzJOGgv68VP7DcgmRXjjIyi2Q5LPtV5quolQQAO6Pc5AOWbx409GgR5f579t6eCsqXi7b9w43qJUjPJbynPYJWA8mQx%7E%7EALRd16MYimeeeKxgkny5Ob1%7EpnT0MvWSBYvc7YSFfx-15FeNE%7EAg__&Key-Pair-Id=K6UGZS9ZTDSZM df3012f258e3fc291fc781e3d21ac70c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prints Creator An entity primarily responsible for making the resource Various Type The nature or genre of the resource print Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data silkscreen on wallpaper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cow Creator An entity primarily responsible for making the resource Andy Warhol American, 1928 - 1987 Date A point or period of time associated with an event in the lifecycle of the resource 1966 Format The file format, physical medium, or dimensions of the resource silkscreen on wallpaper Source A related resource from which the described resource is derived Gift of the Meisel Gallery, New York Description An account of the resource Cow is a motif elaborated for a wallpaper that Warhol used for the first time at Leo Castelli Gallery in New York in 1966. The show included two rooms. The first was filled with "silver clouds" which were in fact helium balloons, and the second was one entirely covered with cow wallpaper. That subject was recommended to Warhol by Ivan Karp, who collected paintings of cows. Warhol's assistant, Gerard Melanga, found the picture of the Jersey cow in an agricultural magazine, which served as the model for "Cow." Treated with abrasive colors, the wallpaper can be seen as the artist's attempt to explore unconventional formats. Although Warhol was still publicly proclaiming his retirement from painting, he continued to silkscreen print many of his canvases. Warhol produced another version of the wallpaper in 1971 using a deep blue instead of the acid yellow as a background. Type The nature or genre of the resource print animal Pop Art silkscreen https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/2abeeacd310a0cf42f3b78127c61b06d.jpg?Expires=1779926400&Signature=Kv5WIFc1b7CT3RV0i4Uh20WqSDY4LGla6GELFvExW7Lp0Uf2xWVh77rq2x3rl09aBC2NOnrPV1pfqoKAEXQavXlTnHSh7J9hT2Pt6Jj3wr%7ENYOgDcVWRNH7He3BA%7EnMo2W-v8Q-zE51cgeughnH3oWWlssqUNzOh-MpTjMpYJWHT9-AR8hIMcUpVCye2KTTVGOrDd4KsvO7hJg42eKmKsbw7gpq5O5x2FCz8q7lKPJe%7E2lLiPd12x50NLixQkBhes6MAvEzidPhwqjj0fJnMQ2Djz24BsaqA4ZXFh-M%7EaP3lF06XkboX5lHKDt5YBn%7E8EBcxydNcsrTJQMEsy0qXHQ__&Key-Pair-Id=K6UGZS9ZTDSZM 27caf355daf8eae6028853d8af15a484 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Photography Creator An entity primarily responsible for making the resource Various Description An account of the resource Photography in the Ewing Gallery permanent collection. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Marlo Pascual American, 1972 - 2020 Date A point or period of time associated with an event in the lifecycle of the resource 2014 Format The file format, physical medium, or dimensions of the resource Digital C-print, Plexiglas, stone, red oak shelf 40.75 x 72 x .5 inches Source A related resource from which the described resource is derived Gift of the artist Type The nature or genre of the resource photograph black and white digital c-print figurative UT Alumni Woman Woman Artist https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/a08a92a214ca946e50fdeb6a9a87b410.jpg?Expires=1779926400&Signature=Rsrfht32%7ETpNHd-15vS1tBVDYgMXXH9NBTPXeLwfI7koTGSSoRZrLP4BbV72Tv6gP2WxpIDzneuMDITNzSBe5fbH-1RZ7YTeavqSrAmM8b1q3T1vxhKf8FPbQqIzK8AOSAOuTTg6dkynOMzNQ8kRV1s1g5cHOgXFIxrFHw480xDeZAD-IZ-OE%7EPepeff%7ER276sahtoa-7o44gJLDwJPuTkrRdk96kOYJHPPD5%7EzSP0wcApX3uJz38El-6KkzpaXtxnkcSc9fLPGcIrrQlgmtlg0zwjt8maFJggdnJG%7EvLhdTFRFSZ%7EAuM9KjPTFYISRCHoKj4iMuV2wjEd1fxzRifA__&Key-Pair-Id=K6UGZS9ZTDSZM acb94c7562196626ca868385d8af23b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings Creator An entity primarily responsible for making the resource various Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Feed Creator An entity primarily responsible for making the resource Carrie Moyer American, b. 1960 Date A point or period of time associated with an event in the lifecycle of the resource 2001 Format The file format, physical medium, or dimensions of the resource mixed media on canvas Source A related resource from which the described resource is derived Gift of the artist Artist in Residence LGBTQ+ Artist mixed media painting Woman Artist https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/9cb3816418f589660f4cadd2ff3a6379.jpg?Expires=1779926400&Signature=T86jfM-ycr%7EyRCY0LI-5ru%7E3bbymI6GeGHUENE5bqpkQ-hHovqOATadEQWsvqazDzQhkC-hL5CM1ZgVBh-eIhU3lL6xPUvmQqEzDktK2Qc8tpZmW9HpDWJa%7E7x6JI27eRoAGBEz0Fdab0chckJL5n%7EFNiDiuyEn60Gk7bAkcvwjfN5dScT4mP6IcG9pdg%7Elav810iyLKmxtHcKGqVpsROj7ideNeabKF%7E58WBwJqQjQ21AaGUYRLgOaolnKuBmegsyTQYETi%7EfZCjt9TJbcTAWVz2SQP8VusJVl9bF5Nv%7EwDyOGYbDDaoLbdyFVfUxY98U7HeNR1AaK5Z0KJNr-ZkA__&Key-Pair-Id=K6UGZS9ZTDSZM 8c461990a332aa222d4e0a3169b166ff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3-D Collection Creator An entity primarily responsible for making the resource various Description An account of the resource This collection is comprised of sculptures and ceramic works. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data wooden sculpture Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roman Forum Creator An entity primarily responsible for making the resource Joseph Falsetti (1934 - 2016) Date A point or period of time associated with an event in the lifecycle of the resource 1993 Format The file format, physical medium, or dimensions of the resource wooden sculpture Source A related resource from which the described resource is derived Ewing Gallery Purchase sculpture UT Faculty wood https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/fed5b19dd522911cbc39069a97230e25.jpg?Expires=1779926400&Signature=c8z2LSCv1FOwcAWD0VbdZ211f8XvStNGeG%7EC0xEXI7yJMC5eQxE1MsUhATz4ZQOeBt7BVKHZOAZJXzvnv5rlzN1msRwBOEG7YEOy-F1Fxk89Hrozk5vZFpvOcEGcxSU2yMT5hOmUnphNV6YpIYC7IeG5KJxBA-vLih%7E2XkuJbTkyppKGTxqcm-2YSo2Sa6TqlHc-qotB-b6elAxFdy1MTrsmffiocP8R9VjfdqMIptIzpDK9ZxJyEUHaa8a3sTEhR2ZLM7B3EOPuVQJriJUXHcJg3pBjb78z2n1Ry9YbQGk0-Nl0znv5gRq9bblK3KXvXX2CJk67OLeyPHpWy-AcUQ__&Key-Pair-Id=K6UGZS9ZTDSZM d2e21ca0f7b492146134ed23df0b0b8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paintings Creator An entity primarily responsible for making the resource various Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painting Physical Dimensions The actual physical size of the original image 29.5 x 41 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South Knoxville Lady Bug Swarm Creator An entity primarily responsible for making the resource Nina Bovasso American, b. 1965 Date A point or period of time associated with an event in the lifecycle of the resource 2000 Format The file format, physical medium, or dimensions of the resource watercolor, acrylic pen, and pencil on paper 29.5 x 41 inches Source A related resource from which the described resource is derived Gift of the artist Artist in Residence insect Knoxville mixed media Woman Artist https://d1y502jg6fpugt.cloudfront.net/46035/archive/files/0a339ff503c55b9fa98dc8a5e20382f2.tif?Expires=1779926400&Signature=Rf5UJ-icrT6k3-KWPEKa-yPK6z82r3ewKM2u54760rwto4xuH4jeA0Q8xQFKMcItRcz8fu62fPDv0nULkfrYWdhI5JBqWVJxpToCa1FH0X309NtxlrB5Axztj%7ElsaJGHyukkU8LLdVK%7ERLeMTqYaRUVnJ1y6xQlRAypa9T0K1Dc-vOTwKYj9I95HR-A2jbFXPWaayzP4uS-2abhci2C7S9OeN4siYe7Aof7K215QJ3D5rg71pIXQKU4%7E9PZVT%7EFk0-ZLeVLX0Ip%7Ekgfz1YgPenJDX7GtYbfLwPcFDZ8hZ3dR8W%7E%7EEp6TNncVsRuA0xTVf4YygI-Qcq7fq5pvwJ%7EZkA__&Key-Pair-Id=K6UGZS9ZTDSZM e38912613f514dd358be908201083023 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Civil War Series Creator An entity primarily responsible for making the resource Richard LeFevre Description An account of the resource Richard J. LeFevre’s Civil War Series presents the history of the War Between the States (1861 – 1865) through works on paper that depict 32 of the war’s most significant battles. By combining his love of history and his skill as an illustrator, LeFevre used inventive mixed-media techniques to create these powerful images inspired by his personal investigation into that terrible and definitive era. He sought to authenticate the audience experience by incorporating images from period publications such as Harper’s Weekly and Leslie’s Illustrated. Century-old woodcut engravings, made from sketches by Civil War artists who were present at the battles, were flash-framed onto paper with a copier. They were further manipulated with watercolor, pencil, and collage techniques. Some contain photographic tintype images of prominent battle figures. Military leaders, such as Grant, Lee, Meade, Stuart and Farragut are represented in the context of events pertinent to each battle. Throughout the series, LeFevre includes quotes from legendary figures and battle-weary foot soldiers. Technical drawings of engines and ironclads describe precise details of war machines that accompanied soldiers in battle. The paintings are allegorical in nature and are presented in chronological order. The Gettysburg triptych is the centerpiece of the exhibit. The Civil War Series, which took LeFevre four years to complete, portrays the Civil War without bias toward the Union or the Confederacy. The paintings premiered at The United States Civil War Center in the Foster Hall Gallery at Louisiana State University in 1998. On several occasions, LeFevre created dynamic public presentations, augmenting images from the series with his own spoken narrative and live, period music. Source A related resource from which the described resource is derived Bequest of the artist Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Antietam Creator An entity primarily responsible for making the resource Richard J. LeFevre American, 1931 - 2000 Format The file format, physical medium, or dimensions of the resource watercolor and mixed media on paper Source A related resource from which the described resource is derived Bequest of the Artist Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource Fought in Sharpsburg, Maryland, at Antietam Creek, the Battle of Antietam or the Battle of Sharpsburg on September 17, 1862, was the bloodiest single day in American history with 22,717 soldiers killed, wounded, or missing after 14 hours of fighting. To the left in the painting is Confederate General Robert E. Lee and below him is Maj. Gen. Thomas J. “Stonewall” Jackson. To the right is Maj. Gen. George B. McClellan who led the Union forces at Antietam. Before the battle, Union Corporal Barton Mitchell found three cigars wrapped in paper (shown in the center of the painting) in a Confederate campsite recently abandoned by forces under the command of Maj. Gen. D.H. Hill. The paper was General Robert E. Lee’s Special Order 191 that outlined the disposition of the Army of Northern Virginia and Lee’s strategy for his Maryland Campaign. Despite this distinct advantage, McClellan did not adequately act on this information nor did he engage with his entire forces at Antietam to press his numerical advantage against Lee. Nevertheless, portions of the armies met on the morning of September 17, in what was to be a three-pronged attack by the Union starting along the Confederate left flank in a cornfield with a small German Baptist church called the Dunker church (due to their habit of baptism by immersion), continuing to the center in late morning at a sunken road, and finally in the afternoon on the right flank near the bridge over Antietam Creek. The attacks near the center of the line at the sunken road became such a disaster for troops on both sides that it was known as Bloody Lane. Maj. Gen. Ambrose E. Burnside, shown on the right side of this piece, did not engage with his troops until the afternoon when he repeatedly attempted to take the bridge that today bears his name: Burnside's Bridge. Burnside lost hundreds of soldiers in successive charges before finally crossing the bridge. Had he chosen to travel a short distance upstream, his men could have waded across the creek. At the end of the day, after 14 hours of bloody fighting, both armies where sitting in the same places that they were at 8:00 a.m. that morning. American History mixed media Richard LeFevre UT Faculty War watercolor